
This book is billed as the first-ever locked room mystery, which isn’t entirely correct, as by the time it was published (1907), there already were several very well-known mysteries relying on the same feature (Edgar Allan Poe’s Murders in the Rue Morgue, as well as Arthur Conan Doyle’s Sign of Four and The Speckled Band), even though their solutions are different than this book’s. The Murders in the Rue Morgue and The Speckled Band are, interestingly, expressly referenced here, and it is quite obvious that Leroux was a huge admirer of Sherlock Holmes and his creator, to the point that I couldn’t make up my mind to the very end to what extent he was copycatting and to what extent he was paying hommage. By and large it’s an enjoyable read, though, and I can well believe that the book’s contemporaneous readership considered it a novelty and was seriously wowed by its solution. (Side note: Grammar nuts reading this in French will have the rare joy of finding the chief narrative tense to be the first person plural passé simple, which greatly added to my personal reading pleasure.)
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