Tamora Pierce: Song of the Lioness Quartet


After the disappointment that virtually every bit of YA fantasy I read last year had turned out to be, a somewhat unexpected highlight of my January reading was Tamora Pierce’s Song of the Lioness Quartet.  But I was won over by Alanna (the main character)’s personality and by the fact that Pierce’s approach to creating a fantasy world where it is possible for a woman to beat the odds and assert herself without actually glorying in violence (looking at you, Jennifer Estep); in fact, Alanna learns to use her magical powers as a healer more than as a fighter, and to employ them in order to offset some of the damage and pain she causes as a knight.

Obviously, the idea of a girl masquerading as a boy in order to be trained as a knight, and surviving years of training without ever being discovered by the vast majority of the people at court (except for a select few trusted friends), takes a bit of suspension of disbelief; particularly in the second book, where Alanna and her friends are in puberty and, if nothing else, her voice should be breaking if she were a boy (so the lack of change there, if nothing else, should unmask her — bound chest or not).  This, and the equally unlikely notion of a pseudo-Arab tribe of desert nomads firmly rooted in pseudo-Muslim principles of society being swiftly brought around to accepting women as self-determined agents of their own fate solely by their encounter with Alanna in book 3 of the series, were a bit much to take without reducing my rating somewhat.

But overall I still enjoyed the series quite a bit more than I had expected.  (Indeed, I hadn’t even really expected to progress beyond book 1 to begin with.)  I also truly enjoyed Pierce’s no-nonsense approach to not in out-Tolkien-ing Tolkien — proper names are almost without exception from our world (John, Gary, Alan(na), Tom, etc.), and there are no attempts at giving dodgy half-baked names to animals and inanimate things, either, which is something that hugely annoys me in many a fantasy series I’ve come across lately (particularly, again, YA).

0 thoughts on “Tamora Pierce: Song of the Lioness Quartet

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Literature Reviews Uncategorized

J.R.R. Tolkien: The Hobbit – Performed by Andy Serkis

Like its magnificent sequel, The Hobbit is, I think, many things to many people: the first exposition of the universe that would become Middle-earth; prelude to The Lord of the Rings; a bite-sized visit to Middle-earth whenever you don’t feel up to the full blow of the War of the Ring(s); one of the most […]

Read More
Literature Reviews

Karen Wynn Fonstad: The Atlas of Tolkien’s Middle-Earth

Blurb: “Find your way through every part of J.R.R. Tolkien’s great creation, from the Middle-earth of The Hobbit and The Lord of the Rings to the undying lands of the West … The Atlas of Tolkien’s Middle-earth is an essential guide to the geography of Middle-earth, from its founding in the Elder Days – as […]

Read More
Literature Reviews

J.R.R. Tolkien: The Lord of the Rings – Performed by Andy Serkis

In another online community, we recently talked about the new Andy Serkis Lord of the Rings recordings.  Well, it turns out that the pull of The Ring is still mighty strong, for however much it may have been destroyed in Mount Doom. I had barely gotten my hands on these audios and I found I […]

Read More
%d bloggers like this: