Man, what a trip. Titus Andronicus is not, and never will be my favorite play by William Shakespeare, but having read this book, I’d give anything to be able to watch a recording of this particular production.
In the 1980s (when Apartheid was still in full swing) Gregory Doran (later: Artistic Director of the Royal Shakespeare Company) and Antony Sher decided to take this most violent and controversial of all the bard’s plays to Sher’s homeland, from which he had emigrated some 20 years earlier, wowing never to return (and even dramatically burning his passport). This book reproduces the salient parts of Doran’s and Sher’s diaries written during the project, from the moment the project was born to the play’s actual run in Johannesburg and later, London and on tour.
Insightful, illuminating, dramatic and, particularly in the moments of greatest tragedy and misfortune, surprisingly and supremely funny — this is definitely one of those books that will stay with me forever (and not only because I happen to own it).